6.
Second, in the 1960s, communications media and technology were seen as a national value - something quintessentially Canadian, given their importance in providing Canadians with an image of the country.10 Within this national multimedia mix, the integrity of painting or of the art object continually dissipated into environment, process and system. And Vancouver, defined as "remote," was imagined most vividly in terms of these ideologies of communication.

Third, in the local record it is communication . . .